|An Hour of Word Compositions by composer Anthony Gnazzo from KPFA's Ode To Gravity, 1971 - Anthony Gnazzo|
An hour of word compositions by composer Anthony Gnazzo on KPFA's Ode To Gravity, 1971. Born in Plainville, Connecticut, in 1936, Gnazzo has resided in Oakland, California, since 1968 and is regarded as one of the most talented but hermetic West Coast Fluxus-influenced sound and visual poets. His use of cut-up techniques, mathematical structures and typography reflect an obsessive precision, reflected as well in the quality of his purely audio works...
Keywords: Text-Sound Composition
|A Program on Fylkingen, art center in Sweden, from KPFA's Ode To Gravity Series, 1971 - Charles Amirkhanian|
FYLKINGEN: Revolutionary music and technological art center near Stockholm, Sweden. This program deals with the revolutionary music and technological art center near Stockholm, Sweden, called Fylkingen. Included in this program are examples of linguistically-oriented experimental music, called by the Swedes "text-sound compositions." Note: Language Warning Charles Amirkhanian explores the "text-sound" compositions of the forward thinking FYLKINGEN art center...
Keywords: Sound Poetry; Documentary; Text-Sound Composition
|Mike Richard - Affections, Affects 1-4 (for speaking/ singing performers) [MMM027] - Mike Richard|
Mike Richard was born in Santa Ana, CA, in 1967. He is an Image-Music-Text-Theater Re-Writer, independent researcher, and undisciplined theorist. His compositions at CalArts ("text-scores"), studying with Michael Pisaro, enable other performers to create a "secondary symbolic network," formations of collectives, or "sociological constellations." This socio-political factory scenario is an "undisciplined" experiment that examines the unrepresentational potential for music, text, image, and theate...
Keywords: music and literature; Text-Sound Composition; classical experimental; Classical
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|An Interview with Henry Chopin|
An interview with Henri Chopin and his family, recorded by Charles Amirkhanian and Carol Law at Chopin’s home in Ingatestone, Essex, on April 3, 1972. Chopin’s English wife Jean assists in translating from French to English during this discussion about Chopin’s early work, influences, and recent publications. Also joining in the discussion is Chopin’s daughter Brigitte who is also an artist...
Keywords: KPFA-FM; Interview; Sound Poetry; Text-sound composition; Henri Chopin
|Hitler - Johannes Bergmark|
Hitler 10'38 minutes, after an idea of Allan Ãkerlund. PremiÃ¨re at Elektrisk Pingst, RÃ¥lambshovsparken, Stockholm, 30th of May, 2004. Essays have been written about Hitler's ways of speaking and writing. Thus, the timbre, melody and rhyhtm of his voice have been analysed, i.e. his art of speaking in terms of music. With this idea in mind I have used archive recordings of his speaches to put together an added sound, Hitler's own spectrum into a dense mass...
Keywords: Hitler; Allan Ã
kerlund; text-sound composition; elektro-acoustic music; EMS; Electro-acoustic Music in Sweden; Johannes Bergmark
|Miss Diana Kabaka - Spam (Next Can) - DJ;)(G4|
Listen to it now. I implore you! Nay, I ORDER YOU! Besides, it's kind of cool. It's trippy. You'll love it. It's a way of life. If you don't download and listen to it now, the terrorists have already won.
Keywords: Electro/IDM/Experimental/Breaks; Spoken Word; Text-Sound Composition; Soundscape; idm-ish downtempo; Experimental,Electronic; Melodic IDM, Downtempo, Atmospheric; Tardcore; Psychothic
|L'Ultima Spiaggia - Johannes Bergmark|
L'Ultima Spiaggia - about 25 minutes sound poem read live with different voice methods, recorded sound files and text and image pieces triggered live - sometimes they are seen on a big screen, sometimes heard in the loudspeakers. The background sounds are concrete as well as computer generated. First performance at Fylkingen, the 20th of April 2000 on the EAM-class concert. This long poem was written on a journey in Italy '98, on which I visited the family house of my childhood for the last time...
Keywords: L'Ultima Spiaggia; Johannes Bergmark; sound poetry; Fylkingen; Torsten Bergmark; electro-acoustic music; text-sound composition; EMS; Electro-acoustic Music in Sweden
|Communist from Outer Space - Johannes Bergmark|
Communist from Outer Space for two channels tape, micro moog, voice and live extra-terrestrial, 9.40. First performed during the concert "VALBAR med STUDIO 4:S MÃN OCH HANNA", Fylkingen, election day, Sunday the 20th of September, 1998. During the worst days of the cold war with anti-communist scare, a piecefully minded alien is crasch-landing in the world's richest country. Instead of getting any help, he is imprisoned by the American military, who also keep his existance secret to the public...
Keywords: Communist from Outer Space; Johannes Bergmark; alien; Roswell; Eisenhower; elections; electro-acoustic music; EMS; Electro-acoustic music in Sweden; text-sound composition; micro moog; extra-terrestrial; Fylkingen; buchla
|Tiden GÃ¥r - Johannes Bergmark, Lev Rubenstein, Lars Kleberg, Magnus Florin|
Tiden går (Time passes) by Lev Rubenstein. Translation: Lars Kleberg. Music and sound design: Johannes Bergmark. Director: Magnus Florin. Duration: 26,25 "The sea is agitated. The moon is shining. The kitten is whining. The east becomes red. Time passes." The Russian writer Lev Rubinstein writes his lines one by one on small cards. Here he performs them together with his translator Lars Kleberg - as well as the part of the Swedish people that visited the Radio Theatre studio 10 at SR's Open Hou...
Keywords: Tiden går; Time passes; Lev Rubenstein; Lars Kleberg; Johannes Bergmark; Magnus Florin; Radio Theatre; Vita nÃ¤tter; White Nights; Radioteatern; Sveriges Radio P1; stack of cards; non-book; sound art; surrealism; text-sound composition
|Ilskan som lyfter stenen - Johannes Bergmark|
Ilskan Som Lyfter Stenen (The Rage Which Lifts Up The Stone) Text-sound-composition, 14:40 This piece only consists of documentary sound materials but is not in itself documentary. It is an expression of feelings. After the police violations on the freedom of speech and democratic and human rights, not only in the form of criminal actions, batons and murder attempts, but just as much in the form of a total control over the press and thus of the crowd, immediately after the riots it provoked, ang...
Keywords: Ilskan Som Lyfter Stenen; The Rage Which Lifts Up The Stone; Text-sound-composition; EU; politics; riots; democracy; Gothenburg; GÃ¶teborg; Sweden; social democracy; EMS; Electroacoustic Music in Sweden; Fylkingen; Johannes Bergmark
|Vedbodens fossila livsormar - Johannes Bergmark, GÃ¶sta Kriland|
More info: http://bergmark.org/vedboden.html Text: GÃ¶sta Kriland (1917-1989) Musik: Johannes Bergmark Instrument: Plattformar, kontaktmikade fÃ¶remÃ¥l Inspelat pÃ¥ EMS, Stockholm 2011. RÃ¶ster: Johannes Bergmark, Lily Bigestans, Magnus Johansson, Hanna Olivegren Wessblad, Marie Selander, Kent Tankred (FÃ¶rnamninitial markerade i respektive avsnitt) UruppfÃ¶rande: Fredag 4 november pÃ¥ festivalen VINDÃGA 11, Sandvikens konsthall och Folkbibliotek http://www.idka.net/vindoga/ htt...
Keywords: Johannes Bergmark; GÃ¶sta Kriland; Plattformar; platforms; kontaktmikrofon; contact microphone; fÃ¶remÃ¥l; objekt; object; EMS; Elektronmusikstudion; Electronic Music Studio; Elektroakustisk Musik i Sverige; Electro-Acoustic Music In Sweden; voice; vocal; rÃ¶st; Lily Bigestans; Magnus Johansson; Hanna Olivegren Wessblad; Marie Selander; Kent Tankred; VindÃ¶ga; Sandviken; Sandvikens konsthall och Folkbibliotek; Idka; FIA; Institutet fÃ¶r digitala konstarter; Surrealistgruppen; Surrealist Group In Stockholm; surrealism; text-ljud-komposition; text-sound composition; experimentell musik; experimental music; Imaginisterna